The film Jaws has heavily influenced Western Australia's stance on sharks, a review of over a decade of state government policy has found.
Dr Christopher Neff of the University of Sydney has examined the
narratives and shark hunt policies implemented by different WA
Governments between 2000 and 2014 and found striking similarities to the
1975 Spielberg classic.
"In particular, the Western Australian Government's current 'Imminent
Threat' policy to catch and kill 'rogue' sharks is predicated on
Hollywood fiction," says Dr Neff, a lecturer in public policy at the
University's Department of Government and International Relations.
In October this year, the West Australian government withdrew an
application to the federal government to extend its drumline policy,
albeit securing permission to kill sharks deemed by the government to
pose 'imminent threat' to beachgoers.
"This policy is using myths as the basis for killing sharks that are
protected by law and which provides no real beach safety," he says.
"This fiction serves an important political purpose because films
allow politicians to rely on familiar narratives following shark bites
to blame individual sharks in order to make the events governable and to
trump evidence-based science."
"The message from this research is that politicians do not have a
right to their own set of scientific facts about sharks, no matter how
popular the movie."
Dr Neff's research, which has been published online in the Australian Journal of Political Science, spells out the 'Jaws
Effect' as a political device based on three themes from the film: the
intentionality of sharks, the perception that all human-shark
interactions are fatal and the idea that killing 'the shark' is the only
solution.
"Unpacking the politics of shark bites, or any public policy issue,
involves addressing the way words and images are used to paint a picture
for the public and inform policy choices. This research therefore
offers broader implications for policy analysis," says Dr Neff.
"[It] identifies a worrying style of policymaking where widely known
fiction can be used to navigate the attribution of blame and to
prescribe policy responses," he says.
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